She does one thing Taylor Swift can’t.

There are three licensed plateaus of Sabrina Carpenter consciousness, in line with most gurus of pop-girl-ology.

The extent of Sabrina sentience held by most adults perceives this blond ball of radiance to have materialized out of the air this April with the moment song-of-the-summer contender “Espresso.” That’s the tune with the irresistible post-disco, Eighties roller-rink groove (although, as Dan Charnas defined in Slate, it’s much more difficult than that) and the sublimely syntax-scrambled lyrics like “That’s that me espresso” and “I Mountain Dew it for ya” (which aren’t any extra difficult than that). A portion of this crowd may even concentrate on Carpenter’s lilting cosmic-cowgirl follow-up “Please Please Please,” which, as my colleague Chris Molanphy defined in June, really charted greater than “Espresso”—and which I personally choose a bit, primarily for one of many all-time-great deployments of the phrase motherfucker—however now, within the final stretch of summer time, stands a few notches decrease than its caffeinated cousin in Billboard’s seasonal rankings, which appears celestially simply.

If anybody on this cohort occurred to listen to that Carpenter’s album Quick n’ Candy was being launched Friday, they’d most likely muse, “Hmm, surprise if the full-length debut will dwell as much as these two singles?”

A subset of us, nonetheless, had already achieved diploma two of Sabrinawareness: We heard about her in 2021 when Olivia Rodrigo’s “Drivers License” blew up, adopted by the album Bitter, and Carpenter was reputed to be the opposite lady in a tug-of-war over some hunk of boy whose betrayal fueled all of Rodrigo’s songs. All involved have been one way or the other linked by the Disney Channel. We have been most likely additionally dimly cognizant that Carpenter put out a solution track referred to as “Pores and skin” and a subsequent 2022 album, Emails I Can’t Ship, which additionally addressed the matter in songs like “As a result of I Appreciated a Boy,” with a video depicting a literal circus to point out what the Rodrigo donnybrook had finished to Carpenter’s life. That album additionally featured the fortunately unrelated breakout hit “Nonsense,” adopted by “Feather,” with a video that bought Carpenter in scorching holy water with the Catholic Church. Then Carpenter was invited to open for Taylor Swift on a few legs of the “Eras” tour this yr, partly owing to Swift’s personal tedious rumored spat with Rodrigo over one thing or different, which was how Carpenter had ascended to a spot the place the “Espresso” phenomenon may occur.

This subgroup would have anticipated Quick n’ Candy considering, “So, will this second album break free from the heavy Swift mimicry on Emails and understand the cheeky potential of these few hits?”

However this cohort, too, lived in darkness. I knew vaguely that Carpenter had put out some songs in her years laboring within the mines of Disney TV, which I assumed have been disposable fluff. However the true adepts who inhabit the third and highest circle of Carpenter consciousness have recognized all alongside that, really, Quick n’ Candy is just Carpenter’s second major-label album. In reality, after the age of 14, the Pennsylvania-born teen singer and actress had a complete recording profession on Disney-affiliated Hollywood Data, which started with fittingly infantile, light self-affirmation tunes however rapidly grew extra subtle and by 2019 was pointing clearly towards her grownup model.

Quick n’ Candy is thus the 25-year-old Carpenter’s sixth studio album. Quite like one in all 2024’s different breakthrough artists, Chappell Roan, Carpenter is an “in a single day success” provided that you posit an alternate Earth the place the nocturnal rotations final eight or 9 years. And this album feels precisely like one made by a former apprentice who’s now in command. It sparkles with confidence, streaked via with the jadedness of 1 who’s seen just a few trials. It’s teen pop all grown up and in reality typically intentionally evokes the sound of Carpenter’s turn-of-the-century Disney-kid predecessors Britney, Christina, and Justin, whereas steering pointedly large of the traps and treasons that befell them. However its musical and lyrical vocabulary can be extra assorted than that. And loads dirtier.

It’s as a poet laureate of intercourse that Carpenter’s strengths shine brightest on this album. She’s been campaigning for the designation for a yr or two along with her improvised (or not less than swiftly deliberate) codas to her dwell performances of “Nonsense.” They often embody a shoutout to town or nation she’s touring, rhymed with a tribute to the carnal arts: “Learn how to experience it, I can consider 5 methods/ My head goes so exhausting I’m giving migraines/ How loud do you get in Buenos Aires!” or “Boy, come over, this isn’t a drill/ He stated, ‘Get on prime,’ I stated, ‘I’ll’/ Then he made me come—to Brazil!” However possibly the perfect, or not less than most insolent, was the one she did for BBC Radio 1 that was rapidly taken off official channels, which referred to, let’s say, the slang that means of the British broadcaster’s initials, together with the truth that that they had expressly requested her to not.

That monitor file ought to alleviate any doubt that Carpenter’s the one writing many of the intercourse jokes on Quick n’ Candy, like threatening on “Good Graces” that if a boyfriend doesn’t deal with her nicely, “I’ll inform the world you end your chores prematurely,” or just about each phrase of “Juno,” which, by means of the 2007 indie movie a couple of knocked-up teen, makes use of its title as a synonym for being pregnant: “If you happen to love me proper, then who is aware of? I would allow you to make me Juno,” since in any case, “One in all me is cute, however two, although?” That track and “Mattress Chem”—an abbreviation for “mattress chemistry” that shall be frequent on-line parlance earlier than you end studying this sentence—are vying for the title of horniest monitor, and “Mattress Chem” positively has probably the most penis-size euphemisms. However I feel “Juno” wins, not solely as a result of its music is extra racingly buoyant, however as a result of it simply goes forward and says, “Maintain me and discover me/ I’m so fuckin’ attractive.”

This is likely one of the ways in which Carpenter surpasses and sheds her Swift affect. Whereas Swift is usually sensual in her songs, she will be able to hardly ever be direct about intercourse with out sounding very self-conscious about being so grownup and naughty. And whereas she will be wickedly sharp when skewering herself and others, she’s seldom simply casually humorous. Carpenter sounds completely comfortable with each intercourse and jokes, and particularly with how typically the 2 go collectively. You definitely see that within the new-this-morning, mock-horror video for the opening monitor, “Style,” that includes Gen Z’s personal scream queen Jenna Ortega.

The raunch and sarcasm aren’t only for their very own sake, although it could be sufficient in the event that they have been. It’s all in service to the album’s total intent, which, as she put it to Paper journal, is to chronicle the newest “sequence of unlucky occasions I’ve encountered in relationships” (making an ideal Gen Z kid-culture reference)—and, by extension, to supply a grim survey of the modern relationship scene. Listening to Quick n’ Candy, I typically really feel like I’m studying a great feminist web site’s gossip and recommendation columnist, a report from an unusually salty-mouthed sociologist, or some mix of Shere Hite and Dorothy Parker.

The subtext of loads of the songs is far sadder than their surfaces, however due to the vitality she brings to them, I seldom actually really feel unhappy for Carpenter right here. She sounds fairly certain that in the long term she’ll be tremendous. I’m simply ready for the subsequent zinger to strike down whoever’s making her unhappy, often some disappointing dude, sometimes herself. She’s turn out to be ever more proficient at eviscerating fuckbois—witness the bloody cadaver–strewn flooring within the “Feather” video—just like the one right here who’s not the “Sharpest Device” within the shed: “We had intercourse, I met your finest associates/ Then a chook flies by and also you overlook.” (Although the remainder of the track by no means fairly equals that opening.) Or the sensitive-posturing man within the folkie-strummed “Dumb & Poetic”: “Attempt to come off such as you’re mushy and well-spoken/ Jack off to lyrics by Leonard Cohen.” (Who anticipated Boygenius’ track from final yr to be one-upped so rapidly within the skeptical Leonard Cohen–reference sweepstakes?) I’m undecided which is extra devastating, that or “I promise the mushrooms aren’t altering your life.”

Apart from the occasional good lay, Carpenter actually makes it sound like an ordeal to be a younger straight lady in 2024, “For the reason that good ones name their exes wasted/ And because the Lord forgot my homosexual awakenin’,” as she sings on the subsequent monitor, “Slim Pickins.” The title there may be additionally a nod to the distinguished banjo line; it’s one in all a number of songs right here that lean a little bit nation and would have slot in nicely on Kacey Musgraves’ 2018 Golden Hour, an album praised in all places on the time that typically appears forgotten now. Not by Carpenter, who introduced Musgraves up onstage in San Francisco this month to duet on “These Boots Are Made for Walkin’,” calling her “an artist that I’ve simply liked for my total life.” (Which should have made Musgraves really feel previous at 36.)

There’s additionally an acoustic forged to the penultimate monitor, “Deceive Ladies”—which actually ought to be the nearer moderately than the comparatively weak and sleepy “Don’t Smile.” It’s right here that Carpenter actually confronts her portion of the issue with the dud dudes, assuring one, within the midst of reaming him out for misbehavior, “You don’t need to lie to women/ In the event that they such as you, they’ll simply misinform themselves” after which cleverly looping it again: “Such as you, they’ll simply misinform themselves.” And, debate her as you’ll, she universalizes the difficulty to her entire gender: “It’s fortunate for you I’m identical to/ My mom (and my sisters) (all my associates)/ The lady exterior the strip membership, getting her tarot playing cards learn.”

Carpenter is perhaps stated to circle these topics obsessively right here, however, as in these examples, it’s all the time from contemporary angles, and often fairly concisely. She’s down with the aphorism that brevity is the soul of wit: Quick n’ Candy isn’t only a joke about her personal under-5-foot stature and the fast expiration dates on many of those liaisons, however truth-in-advertising in regards to the album. It is available in at 12 songs lasting simply over 36 minutes in complete. Which is a good reduction in a yr when so many main pop albums, from Swift’s to Beyoncé’s to Publish Malone’s, have been clocking in at double-album lengths, justified in substance or not.

If there’s a disappointment right here, it is perhaps that “Espresso” stands alone in its giddy phrase salad–tossing; not one of the different songs match its benign contempt for comprehensibility. Likewise, many of the music is both moody or extra anthemic, not with the breezy-dancey vibe of the lead single. It’s partly produced by and written with varied L.A. music-biz stalwarts—many former associates of One Path, make what you’ll of that—and partly with the celebrated/infamous Jack Antonoff. If you happen to require additional proof that it’s not actually his fault that Swift’s previous couple of albums have felt so overwrought, could Quick n’ Candy please the courtroom. And actually, who else would have had the inspo to cite the riff from Pink Floyd’s “One other Brick within the Wall” in the midst of the period-appropriate Dolly-disco-country of “Please Please Please”?

No matter Carpenter might need wanted to show right here, I’d name it mission completed. Somebody who, a yr in the past, appeared considerably of a footnote to a few extra well-known artists’ tales now looks like an entirely autonomous auteur who’s in it for retains. Sure, the Sabrina-luminati by no means questioned that, whereas it’s dawning on a few of us benighted creatures actually at present. However not less than we lastly Mountain Dew’d it, and that’s that, me.