Kate (Daisy Edgar-Jones), Javi (Anthony Ramos) and Tyler (Glen Powell) try to keep people safe from a dangerous tornado in

Glen Powell’s 2024 sequel sticks to script

A endearingly cowboy Glen Powell and offended tornadoes do their jobs in “Twisters,” although the kinda-sorta catastrophe sequel with a giant coronary heart and greater wind gusts could not blow you away.

Practically 30 years after Invoice Paxton and Helen Hunt performed storm-chasing exes understanding their points amid hazardous climate and flying cows, one other “Tornado” rolls in with Powell and Daisy Edgar-Jones because the leads who flirt with excessive winds and unhealthy choices – and simply flirt. Directed by Lee Isaac Chung, “Twisters” (★★½ out of 4; rated PG-13; in theaters Friday) is a monster truck of a summer time film, an often-enjoyable experience rocking a “Hell yeah, science guidelines!” bumper sticker that will get caught in muddy subplots and looking out on the authentic in its rear-view mirror.

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Just like the 1996 movie, “Twisters” begins with trauma and tragedy: 5 years after dropping most of her school analysis staff to a super-sized twister, Kate (Edgar-Jones) has bailed from her native Oklahoma and is working as a meteorologist in New York Metropolis. The one different survivor of their group, Javi (Anthony Ramos), reveals up bearing new expertise that probably lets them examine tornadoes in a method by no means earlier than doable, plus possibly assist some folks escape disaster alongside the best way.

Uncannily in a position to “see” a twister develop – very like Paxton’s character within the first “Tornado” – Kate agrees to return to Oklahoma to assist Javi’s science squad monitor funnel clouds throughout a “as soon as in a era” outbreak of tornadoes. They’re not the one ones, and the loudest of the lot is a full of life, bro-y crew from Arkansas − led by red-blooded man’s man Tyler (Powell) − that livestreams the windswept chaos.

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Certainly one of Javi’s bunch dismisses them as “hillbillies with a YouTube channel,” and Kate is cautious of Tyler’s complete self-confident deal. However she discovers there’s extra to him than a cowboy hat and a Cheshire-cat grin, he figures out she’s greater than a “metropolis woman,” and her brains and his gumption wind up being an excellent match as they embark on a game-changing science undertaking. You simply know, nonetheless, that these gnarly tornadoes aren’t going to make something straightforward.

Don’t go searching for lots of connective thread between the 2 movies (except for a shared adoration of “The Wizard of Oz”). “Twisters” is extra fascinated about following the primary’s formulation, a bit an excessive amount of. Having storms that get progressively extra calamitous is a welcome carryover: Though the CGI “Tornado” cyclones had extra character, roaring like malevolent menaces, the brand new ones aren’t too shabby in the case of destruction. There’s a rodeo scene particularly that actually drives residence that lethal realism.

The competitiveness between Kate and Javi’s brainiacs and Tyler’s hotshots is supposed to mirror that of Paxton and Hunt vs. villainous Cary Elwes in “Tornado.” It doesn’t make a ton of sense for the reason that latter was two science groups primarily making an attempt to check the identical gadget, whereas the nerds and the daredevils ought to be capable of coexist as a result of their objectives are completely different. The interesting supporting forged in these groupings, together with “Love Lies Bleeding” standout Katy O’Brian and new film Superman David Corenswet, get overshadowed by vast plot turns and the evolving Kate/Tyler dynamic. (Outdated-school “Tornado” followers, preserve a watch out for Paxton’s son, James, who has a small function as a motel buyer caught up within the mayhem of a devastating windstorm.)

Whereas the “His Woman Friday” vibe of Paxton and Hunt fuels the primary “Tornado,” the opposites-attract rom-com-iness with Powell and Edgar-Jones is much less thrilling, although they match wits and complementary energies effectively. After crafting a strong and intimate Asian household drama in “Minari,” Chung doesn’t seem to be the primary and even second alternative for a tornado-filled pop-science thriller. But he is aware of precisely methods to construct the blossoming relationship of his leads with out being overly tacky or romantic. 

“Twisters” tries to dwell as much as its blockbuster predecessor with spectacle however is greatest when harnessing its personal heat – and we’re not speaking in regards to the very cool hearth twister. It affords up a rousing mindset (as Tyler says, “You don’t face your fears, you experience ‘em”) and, with surprisingly empathetic characters, winds up being extra fascinated about serving to the world than wrecking it.